{"id":4777,"date":"2018-09-10T17:19:18","date_gmt":"2018-09-10T17:19:18","guid":{"rendered":"http:\/\/www.inesmedina.com\/?page_id=4777"},"modified":"2019-09-02T15:26:18","modified_gmt":"2019-09-02T15:26:18","slug":"home-page","status":"publish","type":"page","link":"https:\/\/www.inesmedina.com\/es\/","title":{"rendered":"Home page"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p><strong><em><u>EL CONCEPTO DE DIVISI\u00d3N PL\u00c1STICA.<\/u><\/em><\/strong><\/p>\n<p><strong><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/\">22 Series<\/a><\/strong>\u00a0 de investigaci\u00f3n art\u00edstica construida sobre una estructura con dos bloques fundamentales:<\/p>\n<p>El primero <strong><em>AN\u00c1LISIS PL\u00c1STICO FORMAL<\/em><\/strong><strong>,<\/strong> consiguiendo dos logros innovadores muy destacables: <u>la creaci\u00f3n de im\u00e1genes sobre soporte bidimensional con resultados visuales de tridimensionalidad pura<\/u>, es decir, construidas \u00fanicamente con l\u00edneas horizontal y vertical y usando solo los tres colores primarios mas el blanco y negro, concluyendo posteriormente <strong>la investigaci\u00f3n anal\u00edtica formal<\/strong> considerando a <u>el <\/u><strong><u>PUNTO<\/u><\/strong><u> como \u00fanico elemento pl\u00e1stico formal imprescindible para la creaci\u00f3n de cualquier imagen pl\u00e1stica sobre soporte bidimensional, con resultados visuales de tridimensional pura.<em>\u00a0<\/em><\/u><em>(<\/em>1978-2004)<\/p>\n<p>El segundo bloque estructural de mi investigaci\u00f3n global que siempre he mantenido con el enfoque y t\u00edtulo de <strong><em><u>EL CONCEPTO DE DIVISI\u00d3N PL\u00c1STICA<\/u><\/em>, <\/strong>surge de la decisi\u00f3n de realizar una investigaci\u00f3n conjunta correlativa, con una metodolog\u00eda totalmente innovadora <strong><em>PSICOAN\u00c1LICA PL\u00c1STICA <\/em><\/strong>enfocada en <u>el an\u00e1lisis experimental de la interiorizaci\u00f3n personal individual sobre la problem\u00e1tica vivenciada de la desigualdad de g\u00e9nero<\/u>, con conclusiones muy espec\u00edficas sobre <u>la importancia y valor fundamental del tipo de relaci\u00f3n que se establezca entre madre e hija<\/u>, incluso desde la concepci\u00f3n, para finalmente <u>transparentar, desenmascarar y deconstruir el mal: <strong>El\/La perverso\/a narcisista<\/strong>, quien con acoso moral y\/o perversidad sexual se apodera y destruye la identidad y sustancia del la v\u00edctima.<\/u> (2000-2019)<\/p>\n<p>El resultado cient\u00edfico de este sistema metodol\u00f3gico<strong><em> PSICOAN\u00c1LICO PL\u00c1STICO<\/em><\/strong>, es la\u00a0transmutaci\u00f3n hacia\u00a0<em><strong>La Unificaci\u00f3n del Ser Si Misma, Si Mismo, <\/strong><\/em>desidentific\u00e1ndose de los sistemas que impone el nivel defensivo de <strong><em>La Dualidad<\/em><\/strong> (confusi\u00f3n y lucha de opuestos) en la dimensi\u00f3n de la <strong>Tri-dimensionalidad.<\/strong><\/p>\n<hr \/>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-2 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 100%;\n\t\t\t}\n\t\t\t#gallery-2 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-2' class='gallery galleryid-4777 gallery-columns-1 gallery-size-full'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"380\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/A-Series-22-in-progress-started-at-the-beginning-of-2018.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-2-4908\" srcset=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/A-Series-22-in-progress-started-at-the-beginning-of-2018.jpg 960w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/A-Series-22-in-progress-started-at-the-beginning-of-2018-300x119.jpg 300w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/A-Series-22-in-progress-started-at-the-beginning-of-2018-768x304.jpg 768w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/A-Series-22-in-progress-started-at-the-beginning-of-2018-700x277.jpg 700w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4908'>\n\t\t\t\tSeries 22, en proceso, iniciada en Enero 2018\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"380\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/B-Research-with-psychoanalyst-plastic-methodology-Series-5-1982-1985-Series-12-Series-14-Series-15-Series-18-Series-19-Series-20-Series-21-2000-2018.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-2-4912\" srcset=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/B-Research-with-psychoanalyst-plastic-methodology-Series-5-1982-1985-Series-12-Series-14-Series-15-Series-18-Series-19-Series-20-Series-21-2000-2018.jpg 960w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/B-Research-with-psychoanalyst-plastic-methodology-Series-5-1982-1985-Series-12-Series-14-Series-15-Series-18-Series-19-Series-20-Series-21-2000-2018-300x119.jpg 300w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/B-Research-with-psychoanalyst-plastic-methodology-Series-5-1982-1985-Series-12-Series-14-Series-15-Series-18-Series-19-Series-20-Series-21-2000-2018-768x304.jpg 768w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/B-Research-with-psychoanalyst-plastic-methodology-Series-5-1982-1985-Series-12-Series-14-Series-15-Series-18-Series-19-Series-20-Series-21-2000-2018-700x277.jpg 700w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4912'>\n\t\t\t\tInvestigaci\u00f3n con metodolog\u00eda psicoanalista-pl\u00e1stica, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-5\/\">Serie 05<\/a> 1982-1985, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-12-transparencies-or-the-world-of-whats-subtle-2000-2001\/\">Series 12<\/a>, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-14-the-flowers-of-evil-or-emptying-the-content-of-the-mind-2000-2004\/\">Serie 14<\/a>, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-15-transcending-the-ego-2000-2004\/\">Serie 15<\/a>, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-18-the-joy-of-self-2004-2006\/\">Serie 18<\/a>, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-19-burt-dolls-munecas-quemadas-2007-2009\/\">Serie 19<\/a>, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-20-the-transmutation-of-the-mind-the-capacity-to-visualize-the-totality-2010-2012\/\">Serie 20<\/a>, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-21-the-structure-of-creation-2014-2018-paintings-on-canvas\/\">Series 21<\/a>, 2000-2018\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"380\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/C-Research-with-psychoanalyst-plastic-methodology-Series-5-1982-1985-Series-12-Series-14-Series-15-Series-18-Series-19-Series-20-Series-21-2000-2018.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-2-4911\" srcset=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/C-Research-with-psychoanalyst-plastic-methodology-Series-5-1982-1985-Series-12-Series-14-Series-15-Series-18-Series-19-Series-20-Series-21-2000-2018.jpg 960w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/C-Research-with-psychoanalyst-plastic-methodology-Series-5-1982-1985-Series-12-Series-14-Series-15-Series-18-Series-19-Series-20-Series-21-2000-2018-300x119.jpg 300w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/C-Research-with-psychoanalyst-plastic-methodology-Series-5-1982-1985-Series-12-Series-14-Series-15-Series-18-Series-19-Series-20-Series-21-2000-2018-768x304.jpg 768w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/C-Research-with-psychoanalyst-plastic-methodology-Series-5-1982-1985-Series-12-Series-14-Series-15-Series-18-Series-19-Series-20-Series-21-2000-2018-700x277.jpg 700w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4911'>\n\t\t\t\tInvestigaci\u00f3n con metodolog\u00eda psicoanalista-pl\u00e1stica, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-5\/\">Serie 05<\/a> 1982-1985, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-12-transparencies-or-the-world-of-whats-subtle-2000-2001\/\">Series 12<\/a>, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-14-the-flowers-of-evil-or-emptying-the-content-of-the-mind-2000-2004\/\">Serie 14<\/a>, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-15-transcending-the-ego-2000-2004\/\">Serie 15<\/a>, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-18-the-joy-of-self-2004-2006\/\">Serie 18<\/a>, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-19-burt-dolls-munecas-quemadas-2007-2009\/\">Serie 19<\/a>, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-20-the-transmutation-of-the-mind-the-capacity-to-visualize-the-totality-2010-2012\/\">Serie 20<\/a>, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-21-the-structure-of-creation-2014-2018-paintings-on-canvas\/\">Series 21<\/a>, 2000-2018\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"380\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/D-Research-with-psychoanalyst-plastic-methodology.-Paintings-on-smaller-formats.-Second-level-of-the-process.-Series-19-Series-20-Series-21-2000-2018..jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-2-4910\" srcset=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/D-Research-with-psychoanalyst-plastic-methodology.-Paintings-on-smaller-formats.-Second-level-of-the-process.-Series-19-Series-20-Series-21-2000-2018..jpg 960w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/D-Research-with-psychoanalyst-plastic-methodology.-Paintings-on-smaller-formats.-Second-level-of-the-process.-Series-19-Series-20-Series-21-2000-2018.-300x119.jpg 300w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/D-Research-with-psychoanalyst-plastic-methodology.-Paintings-on-smaller-formats.-Second-level-of-the-process.-Series-19-Series-20-Series-21-2000-2018.-768x304.jpg 768w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/D-Research-with-psychoanalyst-plastic-methodology.-Paintings-on-smaller-formats.-Second-level-of-the-process.-Series-19-Series-20-Series-21-2000-2018.-700x277.jpg 700w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4910'>\n\t\t\t\tInvestigaci\u00f3n con metodolog\u00eda psicoanalista-pl\u00e1stica. Pinturas en formatos m\u00e1s peque\u00f1os. Segundo nivel del proceso. <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-19-burnt-dolls-munecas-quemadas-2006-2009-paintings-on-small-format\/\">Serie19-pfp<\/a>, <a href\"<a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-20-the-transmutation-of-the-mind-the-capacity-tovisualize-the-totatlity-2010-2014\/\">Serie 20-pfp<\/a>, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-21-the-structure-of-creation-2014-2018-paintings-on-small-format\/\">Series 21-pfp<\/a>, 2000-2018\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"380\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/E-Research-with-psychoanalyst-plastic-methodology.-First-level-of-the-process.-Series-19-Series-20-Series-21-2000-2018.-.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-2-4909\" srcset=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/E-Research-with-psychoanalyst-plastic-methodology.-First-level-of-the-process.-Series-19-Series-20-Series-21-2000-2018.-.jpg 960w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/E-Research-with-psychoanalyst-plastic-methodology.-First-level-of-the-process.-Series-19-Series-20-Series-21-2000-2018.--300x119.jpg 300w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/E-Research-with-psychoanalyst-plastic-methodology.-First-level-of-the-process.-Series-19-Series-20-Series-21-2000-2018.--768x304.jpg 768w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/E-Research-with-psychoanalyst-plastic-methodology.-First-level-of-the-process.-Series-19-Series-20-Series-21-2000-2018.--700x277.jpg 700w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4909'>\n\t\t\t\tInvestigaci\u00f3n con metodolog\u00eda psicoanalista-pl\u00e1stica. Primer nivel del proceso. <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-19-burnt-dolls-munecas-quemadas-2006-2009-drawings-on-paper\/\">Serie 19-d<\/a>, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-20-the-transmutatio-of-the-mind-the-capacity-to-visualize-the-totality-2010-2014-drawings-on-paper\/\">Serie 20-d<\/a>, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-21-the-structure-of-creation-2014-2018_drawings-on-paper\/\">Serie 21-d<\/a>, , 2000-2018\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"380\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/F-Dots.-The-dot-transcending-dimensions-Series-10b-Series-17-1996-1999-and-2004.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-2-4906\" srcset=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/F-Dots.-The-dot-transcending-dimensions-Series-10b-Series-17-1996-1999-and-2004.jpg 960w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/F-Dots.-The-dot-transcending-dimensions-Series-10b-Series-17-1996-1999-and-2004-300x119.jpg 300w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/F-Dots.-The-dot-transcending-dimensions-Series-10b-Series-17-1996-1999-and-2004-768x304.jpg 768w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/F-Dots.-The-dot-transcending-dimensions-Series-10b-Series-17-1996-1999-and-2004-700x277.jpg 700w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4906'>\n\t\t\t\tPuntos. El punto que trasciende las dimensiones, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-10-dots-1996-1999\/\">Series 10b<\/a>, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-17-the-dot-transcending-dimensions-2004\/\">Series 17<\/a>, 1996-1999 y 2004\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"380\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/G-Art-by-computer.-Belonging-Difference-and-Pure-Energy.-Pure-plasticity-using-the-digital-pixel-as-the-dot.-Analyzing-the-limits-between-two-dots-Heart-Mind-and-Brain-Who-I-also-am.....jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-2-4907\" srcset=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/G-Art-by-computer.-Belonging-Difference-and-Pure-Energy.-Pure-plasticity-using-the-digital-pixel-as-the-dot.-Analyzing-the-limits-between-two-dots-Heart-Mind-and-Brain-Who-I-also-am.....jpg 960w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/G-Art-by-computer.-Belonging-Difference-and-Pure-Energy.-Pure-plasticity-using-the-digital-pixel-as-the-dot.-Analyzing-the-limits-between-two-dots-Heart-Mind-and-Brain-Who-I-also-am....-300x119.jpg 300w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/G-Art-by-computer.-Belonging-Difference-and-Pure-Energy.-Pure-plasticity-using-the-digital-pixel-as-the-dot.-Analyzing-the-limits-between-two-dots-Heart-Mind-and-Brain-Who-I-also-am....-768x304.jpg 768w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/G-Art-by-computer.-Belonging-Difference-and-Pure-Energy.-Pure-plasticity-using-the-digital-pixel-as-the-dot.-Analyzing-the-limits-between-two-dots-Heart-Mind-and-Brain-Who-I-also-am....-700x277.jpg 700w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4907'>\n\t\t\t\tPintura con ordenador. Pertenencia, diferencia y energ\u00eda pura. Plasticidad pura utilizando el p\u00edxel digital como punto. Analizando los l\u00edmites entre dos puntos: Coraz\u00f3n, Mente y Cerebro, La que tambi\u00e9n soy, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-9-breakaway-or-emotional-feminine-liberation-1992-1995\/\">Series 09<\/a>, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-10-belonging-difference-and-pure-energy-1996-1999\/\">Series 10a<\/a>, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-11-analyzing-the-limits-between-two-dots-heart-mind-and-brain-1998-2000\/\">Serie 11<\/a>, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-13-the-world-of-forms-2001\/\">Series 13<\/a>, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-16-who-i-also-am-2004\/\">Series 16<\/a>, 1995-2001 y  2004 \n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"380\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/H-The-potential-image-Of-limits-and-their-products-From-pure-measure-to-emotion.-Pure-plastic-tridimensionality-and-Breakaway-or-Emotional-feminine-liberation......jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-2-4903\" srcset=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/H-The-potential-image-Of-limits-and-their-products-From-pure-measure-to-emotion.-Pure-plastic-tridimensionality-and-Breakaway-or-Emotional-feminine-liberation......jpg 960w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/H-The-potential-image-Of-limits-and-their-products-From-pure-measure-to-emotion.-Pure-plastic-tridimensionality-and-Breakaway-or-Emotional-feminine-liberation.....-300x119.jpg 300w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/H-The-potential-image-Of-limits-and-their-products-From-pure-measure-to-emotion.-Pure-plastic-tridimensionality-and-Breakaway-or-Emotional-feminine-liberation.....-768x304.jpg 768w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/H-The-potential-image-Of-limits-and-their-products-From-pure-measure-to-emotion.-Pure-plastic-tridimensionality-and-Breakaway-or-Emotional-feminine-liberation.....-700x277.jpg 700w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4903'>\n\t\t\t\tLa Imagen Potencial, De los l\u00edmites y sus productos, De la medida pura a la emoci\u00f3n. Tridimensionalidad pl\u00e1stica pura y Despegue o liberaci\u00f3n emocional femenina, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-6-the-potential-image-1983-1991\/\">Series 06<\/a>, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-7-of-limits-and-their-products-the-forge-of-the-soul-1991-1992\/\">Series 07<\/a>, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-8-from-pure-measure-to-emotion-1992-1993\/\">Series 08<\/a>, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-9-breakaway-or-emotional-feminine-liberation-1992-1995\/\">Series 09<\/a>, 1983-1995\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"380\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/I-BI-Tridimensional-dialectic-Spaces-occupied-for-certain-periods-Virtual-sculptures-in-real-spaces-Series-03-and-Series-04-1980-1983.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-2-4904\" srcset=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/I-BI-Tridimensional-dialectic-Spaces-occupied-for-certain-periods-Virtual-sculptures-in-real-spaces-Series-03-and-Series-04-1980-1983.jpg 960w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/I-BI-Tridimensional-dialectic-Spaces-occupied-for-certain-periods-Virtual-sculptures-in-real-spaces-Series-03-and-Series-04-1980-1983-300x119.jpg 300w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/I-BI-Tridimensional-dialectic-Spaces-occupied-for-certain-periods-Virtual-sculptures-in-real-spaces-Series-03-and-Series-04-1980-1983-768x304.jpg 768w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/I-BI-Tridimensional-dialectic-Spaces-occupied-for-certain-periods-Virtual-sculptures-in-real-spaces-Series-03-and-Series-04-1980-1983-700x277.jpg 700w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4904'>\n\t\t\t\tBi-tridimensional dial\u00e9ctica, Espacios ocupados por determinados tiempos, Esculturas virtuales en espacios reales, <a href=\"https:\/\/www.inesmedina.com\/portfolio\/serie-03\/\">Serie 03<\/a> and <a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-4-space-occupied-for-certain-periods-virtual-sculptures-in-real-space-1981-1983\/\">Serie 04<\/a>, 1980-1983\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"380\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/J-Abstract-spatiality-sensorial-aspects-of-matter-dimensions-of-color-Series-01-and-Series-02-1978-1980.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-2-4905\" srcset=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/J-Abstract-spatiality-sensorial-aspects-of-matter-dimensions-of-color-Series-01-and-Series-02-1978-1980.jpg 960w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/J-Abstract-spatiality-sensorial-aspects-of-matter-dimensions-of-color-Series-01-and-Series-02-1978-1980-300x119.jpg 300w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/J-Abstract-spatiality-sensorial-aspects-of-matter-dimensions-of-color-Series-01-and-Series-02-1978-1980-768x304.jpg 768w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/J-Abstract-spatiality-sensorial-aspects-of-matter-dimensions-of-color-Series-01-and-Series-02-1978-1980-700x277.jpg 700w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4905'>\n\t\t\t\tEspacialidad abstracta, sensorial, <a href=https:\/\/www.inesmedina.com\/portfolio\/serie-01\/>Series 01<\/a> and <a href=https:\/\/www.inesmedina.com\/portfolio\/serie-02\/>Series 02<\/a> 1978-1980\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>[vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb css=\u00bb.vc_custom_1524851301348{margin-top: 20px !important;}\u00bb z_index=\u00bb\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: center; font-size: 18px;\">\n<\/blockquote>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>EL CONCEPTO DE DIVISI\u00d3N PL\u00c1STICA. 22 Series\u00a0 de investigaci\u00f3n art\u00edstica construida sobre una estructura con dos bloques fundamentales: El primero AN\u00c1LISIS PL\u00c1STICO FORMAL, consiguiendo dos logros innovadores muy destacables: la creaci\u00f3n de im\u00e1genes sobre soporte bidimensional con resultados visuales de tridimensionalidad pura, es decir, construidas&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-4777","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.inesmedina.com\/es\/wp-json\/wp\/v2\/pages\/4777","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.inesmedina.com\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.inesmedina.com\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.inesmedina.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.inesmedina.com\/es\/wp-json\/wp\/v2\/comments?post=4777"}],"version-history":[{"count":22,"href":"https:\/\/www.inesmedina.com\/es\/wp-json\/wp\/v2\/pages\/4777\/revisions"}],"predecessor-version":[{"id":7051,"href":"https:\/\/www.inesmedina.com\/es\/wp-json\/wp\/v2\/pages\/4777\/revisions\/7051"}],"wp:attachment":[{"href":"https:\/\/www.inesmedina.com\/es\/wp-json\/wp\/v2\/media?parent=4777"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}