{"id":4859,"date":"2018-11-03T04:52:52","date_gmt":"2018-11-03T04:52:52","guid":{"rendered":"http:\/\/www.inesmedina.com\/?page_id=4859"},"modified":"2020-09-07T16:01:37","modified_gmt":"2020-09-07T16:01:37","slug":"las-21-series-de-la-investigacion-artistica-el-concepto-de-division","status":"publish","type":"page","link":"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/","title":{"rendered":"Trabajo art\u00edstico: 22 Series"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb css=\u00bb.vc_custom_1516014961544{margin-top: -25px !important;}\u00bb z_index=\u00bb\u00bb][vc_column][vc_column_text]<\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-2 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 25%;\n\t\t\t}\n\t\t\t#gallery-2 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-2' class='gallery galleryid-4859 gallery-columns-4 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-00-expressionism-as-creative-starting-point-1978-1979\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-00-1978-1979.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4882\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4882'>\n\t\t\t\tSerie 00, 1978-1979\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-01-my-first-abstract-explorations-abstract-expressionism-and-some-sensorial-aspects-of-the-material-1979-1980\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-01-1979-1980.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4884\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4884'>\n\t\t\t\tSerie 01, 1979-1980\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-02-abstract-spatiality-sensorial-aspects-of-matter-1979-1980\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-02-1979-1980.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4881\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4881'>\n\t\t\t\tSerie 02, 1979-1980\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-03-bi-tri-dimensional-dialectics-1980-1981\/\" class=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-03-bi-tri-dimensional-dialectics-1980-1981\/ no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-03-1980-1981.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4863\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4863'>\n\t\t\t\tSerie 03, 1980-1981\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/ series-04-space-occupied-for-certain-periods-virtual-sculptures-in-real-space-1981-1983\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-04-1981-1983.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4867\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4867'>\n\t\t\t\tSerie 04, 1981-1983\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-05-psychoanalytic-meanings-1982-1985\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-05-1982-1985.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4862\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4862'>\n\t\t\t\tSerie 05, 1982-1985\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-06-the-potential-image-1983-1991\/  \" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-06-1983-1991.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4860\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4860'>\n\t\t\t\tSerie 06, 1980-1991\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-07-of-limits-and-their-products-the-forge-of-the-soul-1991-1992\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-07-1991-1993.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4861\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4861'>\n\t\t\t\tSerie 07, 1991-1993\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-08-from-pure-measure-to-emotion-1992-1993\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-08-1992-1993.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4883\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4883'>\n\t\t\t\tSerie 08, 1992-1993\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-09-breakaway-or-emotional-feminine-liberation-1992-1995\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-09-1993-1995.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4869\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4869'>\n\t\t\t\tSerie 09, 1993-1995\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-10a-belonging-difference-and-pure-energy-1996-1999\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-10a-1996-1999.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4870\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4870'>\n\t\t\t\tSerie 10a, 1996-1996\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-10b-dots-1996-1999\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-10b-1996-1999.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4871\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4871'>\n\t\t\t\tSerie 10b, 1996-1996\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-11-analyzing-the-limits-between-two-dots-heart-mind-and-brain-1998-2000\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-11-1998-2000.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4872\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4872'>\n\t\t\t\tSerie 11, 1998-2000\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-12-transparencies-or-the-world-of-whats-subtle-2000-2001\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-12-2000-2001.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4873\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4873'>\n\t\t\t\tSerie 12, 2000-2001\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-13-the-world-of-forms-2001\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-13-2001.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4874\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4874'>\n\t\t\t\tSerie 13, 2001\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-14-the-flowers-of-evil-or-emptying-the-content-of-the-mind-2000-2004\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-14-2000-2004.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4875\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4875'>\n\t\t\t\tSerie 14, 2000-2004\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-15-transcending-the-ego-2000-2004\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-15-2000-2004.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4876\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4876'>\n\t\t\t\tSerie 15, 2000-2004\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-16-who-i-also-am-2004\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-16-2004.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4877\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4877'>\n\t\t\t\tSerie 16, 2004\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-17-the-dot-transcending-dimensions-2004\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-17-2004.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4878\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4878'>\n\t\t\t\tSerie 17, 2004\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-18-the-joy-of-self-2004-2006\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-18-2004-2006.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4879\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4879'>\n\t\t\t\tSerie 18, 2004-2006\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-19-burnt-dolls-munecas-quemadas-2006-2009-drawings-on-paper\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-19-d-2006-2009-drawings-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4885\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4885'>\n\t\t\t\tSerie 19-d-2006-2009 dibujos \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-19-burnt-dolls-munecas-quemadas-2006-2009-paintings-on-small-format\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/19-pfp-15-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4886\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4886'>\n\t\t\t\tSerie 19-pfp-2006-2009 peque\u00f1o formato\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-19-burnt-dolls-munecas-quemadas-2006-2009-paintings\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-19-2006-2009.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4880\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4880'>\n\t\t\t\tSerie 19, 2006-2009 pintura gran formato\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-20-the-transmutation-of-the-mind-the-capacity-to-visualize-the-totality-identification-visualization-and-integration-of-genuinely-feminine-values-2010-2014-drawings-and-paintings-on-paper\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-20-d-2009-2014-drawings-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4887\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4887'>\n\t\t\t\tSerie 20-d-2009-2016 dibujos pinturas s\/papel \n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/portfolio\/series-20-the-transmutation-of-the-mind-the-capacity-tovisualize-the-totatlity-2010-2014\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-20-pfp-small-format-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4888\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4888'>\n\t\t\t\tSerie 20-pfp-2009-2016 peque\u00f1o formato\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-20-the-transmutation-of-the-mind-the-capacity-to-visualize-the-totality-identification-visualization-and-integration-of-genuinely-feminine-values-2010-2014-paintings\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-20-2009-2014.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4865\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4865'>\n\t\t\t\tSerie 20, 2009-2016 pintura gran formato\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-21-the-structure-of-creation-the-capacity-to-visualise-the-totality-identification-and-objective-transparency-of-the-rapist-the-torturer-and-the-abuser-of-power-2014-2018-drawings-on-paper\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-21-d-2014-2018-drawings-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4889\" srcset=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-21-d-2014-2018-drawings-150x150.jpg 150w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-21-d-2014-2018-drawings-568x570.jpg 568w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-21-d-2014-2018-drawings-500x500.jpg 500w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4889'>\n\t\t\t\tSerie 21-d-2014-2019 dibujos y pinturas s\/papel\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-21-the-structure-of-creation-the-capacity-to-visualise-the-totality-identification-and-objective-transparency-of-the-rapist-the-torturer-and-the-abuser-of-power-2014-2018-paintings-on-smal\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-21-pfp-2014-2018-small-format-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4890\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4890'>\n\t\t\t\tSerie 21-pfp-2014-2019 peque\u00f1o formato\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-21-the-structure-of-creation-the-capacity-to-visualise-the-totality-identification-and-objective-transparency-of-the-rapist-the-torturer-and-the-abuser-of-power-2014-2018-paintings\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2018\/07\/Series-21-2014-2018.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-4864\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4864'>\n\t\t\t\tSerie 21, 2014-2019 gran formato\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-22-in-progress-it-was-started-at-the-beginning-of-2018\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2019\/04\/Serie-22-d-ppf-iniciada-en-enero-2018.-Serie-en-proceso-de-investigaci\u00f3n-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-6919\" srcset=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2019\/04\/Serie-22-d-ppf-iniciada-en-enero-2018.-Serie-en-proceso-de-investigaci\u00f3n-150x150.jpg 150w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2019\/04\/Serie-22-d-ppf-iniciada-en-enero-2018.-Serie-en-proceso-de-investigaci\u00f3n-570x570.jpg 570w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2019\/04\/Serie-22-d-ppf-iniciada-en-enero-2018.-Serie-en-proceso-de-investigaci\u00f3n-500x500.jpg 500w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-6919'>\n\t\t\t\tSerie 22-d-ppf, iniciada en enero 2018. Serie en proceso de investigaci\u00f3n.\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/serie-22\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2019\/04\/Serie-22-acua-iniciada-en-enero-2018.-Serie-en-proceso-de-investigaci\u00f3n-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-6917\" srcset=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2019\/04\/Serie-22-acua-iniciada-en-enero-2018.-Serie-en-proceso-de-investigaci\u00f3n-1-150x150.jpg 150w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2019\/04\/Serie-22-acua-iniciada-en-enero-2018.-Serie-en-proceso-de-investigaci\u00f3n-1-500x500.jpg 500w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-6917'>\n\t\t\t\tSerie 22-acua, iniciada en enero 2018. Serie 22-pgf, iniciada en enero 2018. Serie en proceso de investigaci\u00f3n\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/serie-22-pgf-mas-alla-de-la-ley-institucional-de-la-igualdad-de-genero-analisis-psicoanalitico-plastico-de-la-situaciones-y-causas-especificas-por-las-que-hombres-y-mujeres-han-asumido-y-aun-permit-2\/\" class=\"no-lightbox\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2019\/04\/Serie-22-pgf-iniciada-en-enero-2018.-Serie-en-proceso-de-investigaci\u00f3n-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-6921\" srcset=\"https:\/\/www.inesmedina.com\/wp-content\/uploads\/2019\/04\/Serie-22-pgf-iniciada-en-enero-2018.-Serie-en-proceso-de-investigaci\u00f3n-150x150.jpg 150w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2019\/04\/Serie-22-pgf-iniciada-en-enero-2018.-Serie-en-proceso-de-investigaci\u00f3n-570x570.jpg 570w, https:\/\/www.inesmedina.com\/wp-content\/uploads\/2019\/04\/Serie-22-pgf-iniciada-en-enero-2018.-Serie-en-proceso-de-investigaci\u00f3n-500x500.jpg 500w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-6921'>\n\t\t\t\tSerie 22-pgf, iniciada en enero 2018. Serie en proceso de investigaci\u00f3n.\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb][vc_column][vc_column_text]<\/p>\n<p><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-00-expressionism-as-creative-starting-point-1978-1979\/\"><strong>Series 00:<\/strong> Expresionismo como punto de partida creativo. 1978-79<\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-01-my-first-abstract-explorations-abstract-expressionism-and-some-sensorial-aspects-of-the-material-1979-1980\/\"><strong>Series 01:<\/strong> Mis primeras investigaciones abstractas. El expresionismo abstracto y aspectos sensoriales de la materia. 1979-1980<\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-02-abstract-spatiality-sensorial-aspects-of-matter-1979-1980\/\"><strong>Series 02:<\/strong> Espacialidad abstracta, aspectos sensoriales de la materia. 1979-1980<\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-03-bi-tri-dimensional-dialectics-1980-1981\/\"><strong>Series 03:<\/strong> Dial\u00e9ctica Bi &#8211; Tridimensional. 1980-1981<\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-04-space-occupied-for-certain-periods-virtual-sculptures-in-real-space-1981-1983\/\"><strong>Series 04:<\/strong> Espacios ocupados durante determinados tiempos. Esculturas virtuales en el espacio real. 1981-1983<\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-05-psychoanalytic-meanings-1982-1985\/\"><strong>Series 05:<\/strong> Significados psicoanal\u00edticos. 1982-1985<\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-06-the-potential-image-1983-1991\/\"><strong>Series 06:<\/strong> The Potential Image 1983-1991<\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-07-of-limits-and-their-products-the-forge-of-the-soul-1991-1992\/\"><strong>Series 07:<\/strong> Los l\u00edmites y sus productos. La forja del alma. 1991-1992<\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-08-from-pure-measure-to-emotion-1992-1993\/\"><strong>Series 08:<\/strong> Desde la pura medida a la emocion 1992-1993<\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-09-breakaway-or-emotional-feminine-liberation-1992-1995\/\"><strong>Series 09:<\/strong> Despegue o Liberaci\u00f3n emocional femenina.. 1993-1995<\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-10a-belonging-difference-and-pure-energy-1996-1999\/\"><strong>Series 10a:<\/strong> Pertenencia, Diferencia y Pura Energ\u00eda.\u00a01996-1999<\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-10b-dots-1996-1999\/\"><strong>Series 10b:<\/strong> Puntos 1996-1999<\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-11-analyzing-the-limits-between-two-dots-heart-mind-and-brain-1998-2000\/\"><strong>Series 11:<\/strong> Analizando los l\u00edmites entre dos puntos. Coraz\u00f3n, Mente y Cerebro. 1998-2000<\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-12-transparencies-or-the-world-of-whats-subtle-2000-2001\/\"><strong>Series 12:<\/strong> Transparencias o el Mundo de lo Sutil. 2000- 2001<\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-13-the-world-of-forms-2001\/\"><strong>Series 13:<\/strong> El mundo de las Formas. 2001<\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-14-the-flowers-of-evil-or-emptying-the-content-of-the-mind-2000-2004\/\"><strong>Series 14:<\/strong> Las Flores del Mal o Vaciando el contenido de la Mente. 2000-2004<\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-15-transcending-the-ego-2000-2004\/\"><strong>Series 15:<\/strong> Transcending the Ego. 2000-2004<\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-16-who-i-also-am-2004\/\"><strong>Series 16:<\/strong> La que tambi\u00e9n soy 2004<\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-17-the-dot-transcending-dimensions-2004\/\"><strong>Series 17:<\/strong> El Punto transcendiendo dimensiones. 2004<\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-18-the-joy-of-self-2004-2006\/\"><strong>Series 18:<\/strong> El J\u00fabilo del Ser.\u00a0Transmutaci\u00f3n de la absorci\u00f3n carencial femenina. Ser\u2013 femenina\u2013 Unificada, totalmente capacitada para su participaci\u00f3n en las decisiones culturales-pol\u00edtico-sociales,\u00a0<\/a><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-18-the-joy-of-self-2004-2006\/\">2004-2006 pinturas diversos formatos<\/a><\/p>\n<p><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-19-burnt-dolls-munecas-quemadas-2006-2009-drawings-on-paper\/\"><strong>Series 19-d-:<\/strong> Burt Dolls-Mu\u00f1ecas Quemadas. De inconsciente a inconsciente, l\u00ednea virtual de comunicaci\u00f3n directa de madre a hija, en la problem\u00e1tica de g\u00e9nero, 2007-2009 dibujos<\/a><\/p>\n<p><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-19-burnt-dolls-munecas-quemadas-2006-2009-paintings-on-small-format\/\"><strong>Series 19-pfp:<\/strong> Burt Dolls-Mu\u00f1ecas Quemadas, De inconsciente a inconsciente, l\u00ednea virtual de comunicaci\u00f3n directa de madre a hija, en la problem\u00e1tica de g\u00e9nero, 2007-2009 formatos peque\u00f1os<\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-19-burnt-dolls-munecas-quemadas-2006-2009-paintings\/\"><strong>Series 19:<\/strong> Burt Dolls-Mu\u00f1ecas Quemadas.\u00a0De inconsciente a inconsciente, l\u00ednea virtual de comunicaci\u00f3n directa de madre a hija, en la problem\u00e1tica de g\u00e9nero\u00a02007-2009 pinturas formatos grandes<\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-19-burnt-dolls-munecas-quemadas-2006-2009-paintings\/\"><strong>Serie 20:<\/strong> La Transmutaci\u00f3n de la Mente. La Capacidad de Visualizar la Totalidad. Identificaci\u00f3n, Visualizaci\u00f3n e Integraci\u00f3n de los Valores Genuinos Femeninos. 2010-2014 dibujos y pinturas s\/papel<\/a><\/p>\n<p><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-20-the-transmutation-of-the-mind-the-capacity-to-visualize-the-totality-identification-visualization-and-integration-of-genuinely-feminine-values-2010-2014-drawings-and-paintings-on-paper\/\"><strong>Series 20-d-:<\/strong> La Transmutaci\u00f3n de la Mente. La capacidad de Visualizar la Totalidad. Identificaci\u00f3n, Visualizaci\u00f3n e Integraci\u00f3n de los Valores Genuinos Femeninos. Femeninos \u00a0<\/a><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-20-the-transmutation-of-the-mind-the-capacity-to-visualize-the-totality-identification-visualization-and-integration-of-genuinely-feminine-values-2010-2014-paintings-on-small-format\/\">2o1o-2o14 peque\u00f1os formatos.<\/a><\/p>\n<p style=\"text-align: left;\"><strong><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-20-the-transmutation-of-the-mind-the-capacity-to-visualize-the-totality-identification-visualization-and-integration-of-genuinely-feminine-values-2010-2014-paintings\/\">Series 20: <\/a><\/strong><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-20-the-transmutation-of-the-mind-the-capacity-to-visualize-the-totality-identification-visualization-and-integration-of-genuinely-feminine-values-2010-2014-drawings-and-paintings-on-paper\/\">La Transmutaci\u00f3n de la Mente. La capacidad de Visualizar la Totalidad. Identificaci\u00f3n, Visualizaci\u00f3n e Integraci\u00f3n de los Valores Genuinos Femeninos. Femeninos<\/a><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-20-the-transmutation-of-the-mind-the-capacity-to-visualize-the-totality-identification-visualization-and-integration-of-genuinely-feminine-values-2010-2014-paintings\/\">. 2010-2016 paintings<\/a><\/p>\n<p><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-21-the-structure-of-creation-the-capacity-to-visualise-the-totality-identification-and-objective-transparency-of-the-rapist-the-torturer-and-the-abuser-of-power-2014-2018-drawings-on-paper\/\"><strong>Series 21-d-:<\/strong> La Estructura de la Creaci\u00f3n. La Capacidad de Visualizar la Totalidad. Identificaci\u00f3n, Visualizaci\u00f3n y Transparencia del abuso de poder de una sociedad patriarcal y machista, investigada en sus manifestaciones m\u00e1s oscuras y crueles. Investigadas igualmente las l\u00edneas de comunicaci\u00f3n inconscientes entre generaciones y los estragos sufridos entre ellas. 2014-2018 dibujos sobre papel<\/a><\/p>\n<p><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-21-the-structure-of-creation-the-capacity-to-visualise-the-totality-identification-and-objective-transparency-of-the-rapist-the-torturer-and-the-abuser-of-power-2014-2018-paintings-on-smal\/\"><strong>Series 21-ppf-:<\/strong> La Estructura de la Creaci\u00f3n. La Capacidad de Visualizar la Totalidad. Identificaci\u00f3n, Visualizaci\u00f3n y Transparencia del abuso de poder de una sociedad patriarcal y machista, investigada en sus manifestaciones m\u00e1s oscuras y crueles. Investigadas igualmente las l\u00edneas de comunicaci\u00f3n inconscientes entre generaciones y los estragos sufridos entre ellas. 2014-2018 formatos peque\u00f1os<\/a><\/p>\n<p><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-21-the-structure-of-creation-the-capacity-to-visualise-the-totality-identification-and-objective-transparency-of-the-rapist-the-torturer-and-the-abuser-of-power-2014-2018-paintings\/\"><strong>Series 21:<\/strong> La Estructura de la Creaci\u00f3n. La Capacidad de Visualizar la Totalidad. Identificaci\u00f3n, Visualizaci\u00f3n y Transparencia del abuso de poder de la sociedad patriarcal y machista, investigada en sus manifestaciones m\u00e1s oscuras y crueles. Investigadas igualmente las l\u00edneas de comunicaci\u00f3n inconscientes entre generaciones y los estragos sufridos entre ellas. 2014-2018 pinturas formatos grandes<\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-22-in-progress-it-was-started-at-the-beginning-of-2018\/\"><strong>Serie 22-d-ppf:<\/strong> S<strong>erie 22-pgf: <\/strong>La Transmutaci\u00f3n de la Mente, An\u00e1lisis de la Totalidad, Identificaci\u00f3n del <strong>MAL, <\/strong>diferenciaci\u00f3n y cura psicoanal\u00edtica pl\u00e1stica, por la<strong> Capacidad de verbalizar y poner nombre a El\/la perverso\/a narcisista, <\/strong>quien con acoso moral y\/o perversidad sexual, se apodera y destruye la identidad y sustancia de la v\u00edctima. Iniciada en 2018 continuo defini\u00e9ndola.<\/a><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/series-22-in-progress-it-was-started-at-the-beginning-of-2018\/\">Dibujos y pinturas sobre papel, en peque\u00f1o formato.<\/a><\/p>\n<p><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/serie-22\/\"><strong>Serie 22-acua:<\/strong> S<strong>erie 22-pgf: <\/strong>La Transmutaci\u00f3n de la Mente, An\u00e1lisis de la Totalidad, Identificaci\u00f3n del <strong>MAL, <\/strong>diferenciaci\u00f3n y cura psicoanal\u00edtica pl\u00e1stica, por la<strong> Capacidad de verbalizar y poner nombre a El\/la perverso\/a narcisista, <\/strong>quien con acoso moral y\/o perversidad sexual, se apodera y destruye la identidad y sustancia de la v\u00edctima. Iniciada en 2018 continuo defini\u00e9ndola. Acuarelas y otras t\u00e9cnicas\/papel, formatos peque\u00f1os y medianos.<\/a><\/p>\n<p><a href=\"https:\/\/www.inesmedina.com\/es\/las-21-series-de-la-investigacion-artistica-el-concepto-de-division\/serie-22-pgf-mas-alla-de-la-ley-institucional-de-la-igualdad-de-genero-analisis-psicoanalitico-plastico-de-la-situaciones-y-causas-especificas-por-las-que-hombres-y-mujeres-han-asumido-y-aun-permit-2\/\"><strong>Serie 22-pgf:<\/strong> S<strong>erie 22-pgf: <\/strong>La Transmutaci\u00f3n de la Mente, An\u00e1lisis de la Totalidad, Identificaci\u00f3n del <strong>MAL, <\/strong>diferenciaci\u00f3n y cura psicoanal\u00edtica pl\u00e1stica, por la<strong> Capacidad de verbalizar y poner nombre a El\/la perverso\/a narcisista, <\/strong>quien con acoso moral y\/o perversidad sexual, se apodera y destruye la identidad y sustancia de la v\u00edctima. Iniciada en 2018 continuo defini\u00e9ndola. \u00d3leos de tama\u00f1os medianos, grandes y murales.<\/a><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>[vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb css=\u00bb.vc_custom_1516014961544{margin-top: -25px !important;}\u00bb z_index=\u00bb\u00bb][vc_column][vc_column_text] [\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb][vc_column][vc_column_text] Series 00: Expresionismo como punto de partida creativo. 1978-79 Series 01: Mis primeras investigaciones abstractas. El expresionismo abstracto y aspectos sensoriales de la materia. 1979-1980&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-4859","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.inesmedina.com\/es\/wp-json\/wp\/v2\/pages\/4859","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.inesmedina.com\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.inesmedina.com\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.inesmedina.com\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.inesmedina.com\/es\/wp-json\/wp\/v2\/comments?post=4859"}],"version-history":[{"count":35,"href":"https:\/\/www.inesmedina.com\/es\/wp-json\/wp\/v2\/pages\/4859\/revisions"}],"predecessor-version":[{"id":7089,"href":"https:\/\/www.inesmedina.com\/es\/wp-json\/wp\/v2\/pages\/4859\/revisions\/7089"}],"wp:attachment":[{"href":"https:\/\/www.inesmedina.com\/es\/wp-json\/wp\/v2\/media?parent=4859"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}