Statement

ORGANISATION CHART IF THE RESEARCH CARRIED OUT 1978-2018

The first division that is immediately perceived in view of the artistic work, result of this research carried out during 40 years of my life (1978-2018), is constituted Conceptually and from my point of view by the jump and evolution that the Sense of the Art, he must give.

1 – FORMAL. Stylistically Abstract and / or Geometric, 1978-1995

A) Analysis of each and every one of the formal elements that make up the plastic image.

Female Emotional Liberation

Series 01 – Saturation of the primary color and its abstract spatiality.

Series 02 – Abstract spatiality. Sensory aspects of color and matter.

Series 03 – Construction of the interior space and analysis of its   interrelation with outer space.

Series 04 – Occupation of outdoor spaces during certain times.

Series 05 – Psychoanalytical meanings.

        Series 06 – Potential Image or Pure Tridimensionality.

       Series 07 – Of the Limits and their Products. The forge of the Soul

       Series 08 – From measure to emotion.

       Series 09 – Women’s Emotional Release or Takeoff

B) Perpendicular divisions (horizontal cuts and vertical cuts) in the vertical straight planes yellow, red and blue and their mobile dynamic visual interrelation. The vision of the indivisibility of the POINT.

Female Mental Liberation

Series 10a – Belonging Difference and Pure Energy.

Series 10b – Atomization of the plane. Points.

C) Analysis of the boundaries between two points: Encounters with the Heart, the Mind and the Brain.

Female Mental Liberation

11a- The limits between two points.

11b- Mind, heart and brain.

2 – PSICOANALITICA.

ORGANIC PSYCHOANALYTIC. Stylistically Abstract Symbolic but I prefer to define it as Psychoanalytic Painting. 1996-2006.

ENERGETIC PSYCHOANALYTIC. Stylistically Abstract Symbolic but I prefer to define it as Psychoanalytic Painting. 2007-2018

D) Use of the contents obtained during the formal analysis of the Plastic Method for the internal perceptual analysis of the personal experience: The deconstruction of the contents of value, established by the unilateral masculine power in the horizontal: view-mind- emptying the content of the same, to acquire my own look. Decoding, of the male structure of looking.

Female Mental Liberation

Series 12 – Transparencies

Series 13 – The world of forms

Series 14 – The flowers of evil or Emptying the content of the mind

E) With a female own look, I proceed to the elimination of the structures of psychological duality of the central nervous system, or vertical. In its development, I find myself with the archetype of the Great Mother  – original division – that of the Divine Girl or Female Goddess and with the archetype of the assassin or Absorption of the lack, as a protective defense of the Being. REVISAR ASESINA

Female Spiritual Liberation

Series 15 – Transcendence of the Ego

Series 16 – The one that I am too. The Forest of Arantzazu.

Series 17 – The point, in its quality of negative and positive, only essential formal plastic element for the construction of the image.

Series 18 – Rejoicing of the Being. Transmutation of the absorption of   the feminine lack. Ser-feminine- unified and mature for their   participation in cultural-political-social decisions.

F) Final result of the process of the experimental investigation of the Method: The restitution of the Organic System and the Energy System, alignment and conjunction of vertical and horizontal axes, in a single point. Direct and spontaneous connection, without any type of resignations; unified heart, mind, brain and spirit.

Recovery of the Authority and Female Own Valuation. The Incorporation of the Totality of the Values ​​of the Femininity for the State of Gender Equality. Demand for Universal Historical    Justice for Women.

Series 19 Burt Dolls-Burned Dolls. 2007-2009

Series 20 The Transmutation of the Mind. The Capacity to Visualize  Totality. 2010-2014 TITULO

Series 21 Series 21 Structure of Creation. Identification and visualization of the dimensions of the abuse of power, violence and    historical cruelty manifested by the human permissibility to the   patriarchal macho system. 2014-2018.

Inés Medina

08/2018


DEVELOPMENT OF THE RESEARCH PROCESS 1978-2018

DECLARATION, MISSION AND ARTISTIC COMMITMENT: DUALITY to see in what context I think it has to be included in the title, as a purpose. See title of thesis, I think it was already.

In the title?

21 Series corresponding to the experimental plastic psychoanalytic research process on the awareness of The Concept of the Plastic Division, producing the gradual deconstruction of the absorption of the Evil contained in the unconscious, thus achieving the conquest of Own Identity, that is to say, The Unification of the Being: A Same. ¿

And from this level of perception and awareness, regaining the authority and value as a woman and person, to ensure that genuine feminine values ​​are incorporated as such in the Society and we can say that Gender Equality is a reality, even posing the Demand for Restitution of Universal Historical Justice for Women.

Organization chart of the research carried out, 1978-2018

The first division that is immediately perceived in view of the artistic work, result of this research carried out during 40 years of my life (1978-2018), is constituted Conceptually and from my point of view by the jump and evolution that the Sense of the Art, he must give.

1 – FORMAL. Stylistically Abstract and / or Geometric, 1978-1995

A) Analysis of each and every one of the formal elements that make up the plastic image.

Female Emotional Liberation

Series 01 – Saturation of the primary color and its abstract spatiality.

        Series 02 – Abstract spatiality. Sensory aspects of color and matter.

Series 03 – Construction of the interior space and analysis of its   interrelation with outer space.

Series 04 – Occupation of outdoor spaces during certain times.

Series 05 – Psychoanalytical meanings.

Series 06 – Potential Image or Pure Tridimensionality.

Series 07 – Of the Limits and their Products. The forge of the Soul

Series 08 – From measure to emotion.

Series 09 – Women’s Emotional Release or Takeoff

B) Perpendicular divisions (horizontal cuts and vertical cuts) in the vertical straight planes yellow, red and blue and their mobile dynamic visual interrelation. The vision of the indivisibility of the POINT.

Female Mental Liberation

Series 10a – Belonging Difference and Pure Energy.

Series 10b – Atomization of the plane. Points.

C) Analysis of the boundaries between two points: Encounters with the Heart, the Mind and the Brain.

Female Mental Liberation

11a- The limits between two points.

11b- Mind, heart and brain.

2 – PSICOANALITICA.

ORGANIC PSYCHOANALYTIC. Stylistically Abstract Symbolic but I prefer to define it as Psychoanalytic Painting. 1996-2006.

ENERGETIC PSYCHOANALYTIC. Stylistically Abstract Symbolic but I prefer to define it as Psychoanalytic Painting. 2007-2018

D) Use of the contents obtained during the formal analysis of the Plastic Method for the internal perceptual analysis of the personal experience: The deconstruction of the contents of value, established by the    unilateral masculine power in the horizontal -view-mind- emptying t    he content of the same, to acquire my own look. Decoding, of the male structure of looking.

Female Mental Liberation

Series 12 – Transparencies

Series 13 – The world of forms

Series 14 – The flowers of evil or Emptying the content of the mind

E) With a female own look, I proceed to the elimination of the structures of psychological duality of the central nervous system, or vertical. In its development, I find myself with the archetype of the Great Mother   – original division -, that of the Divine Girl or Female Goddess and with the archetype of the assassin or Absorption of the lack, as a protective defense of the Being. ASESINA

Female Spiritual Liberation

Series 15 – Transcendence of the Ego

Series 16 – The one that I am too. The Forest of Arantzazu.

Series 17 – The point, in its quality of negative and positive, only  essential formal plastic element, for the construction of the image.

Series 18 – Rejoicing of the Being. Transmutation of the absorption of   the feminine lack. Ser-feminine- unified and mature for their   participation in cultural-political-social decisions.

F) Final result of the process of the experimental investigation of the Method: The restitution of the Organic System and the Energy System, alignment and conjunction of vertical and horizontal axes, in  a single point. Direct and spontaneous connection, without any type of resignations; unified heart, mind, brain and spirit.

Recovery of the Authority and Female Own Valuation. The Incorporation of the Totality of the Values ​​of the Femininity for the State of Gender Equality. Demand for Universal Historical    Justice for Women.

Series 19 Burt Dolls-Burned Dolls. 2007-2009

Series 20 The Transmutation of the Mind. The Capacity to Visualize  Totality. 2010-2014 TITULO

Series 21 Series 21 Structure of Creation. Identification and visualization of the dimensions of the abuse of power, violence and historical cruelty manifested by the human permissibility to the patriarchal macho system. 2014-2018 TITULO

EXPLICITATION OF THE RESEARCH CARRIED OUT 1978-2018

The first division that is immediately perceived in view of the artistic work, result of this research carried out during 40 years of my life (1978-2018), is constituted Conceptually and from my point of view by the jump and evolution that the Sense of the Art, he must give.

1 – Formal. Stylistically Abstract and / or Geometric, 1978-1995

2 – Psychoanalytic. Stylistically Abstracta Symbolic, but I prefer define it as a Psychoanalytic Painting 1996-2018. It is divided in turn into:

Organic Psychoanalytics. 1996-2006.

Energetic Psychoanalytics. 2007-2018

With the

1 – Formal, I educated my will and perceptive sensitivity to enter fully and be prepared to be able to feel and organize the understanding of the organic-energetic problem to be solved: the Identity and Dignity of the Femininity of Being

A second structural ver entera la frase division is produced and it is carried out according to the method to be followed, which has been divided into nine blocks:

1 – Formal, A, B and C.

2 – Organic Psychoanalytic, D and E.

      Energy Psychoanalytics. F

The third division with which I am in an advanced phase of research and which becomes the fundamental elements to be investigated in depth, are chosen for their Functionality and its central importance.

         Female Emotional Liberation

         Female Mental Liberation

         Female Spiritual Liberation

Recovery of the Authority and Female Own Valuation. The  Incorporation of the Totality of the Values ​​of the Femininity for the State of Gender Equality. Demand for Universal Historical Justice for Women.

And the fourth division is carried out by the totality of the 21 Series: The concept of the Plastic Division, each one of them individually and which make up the whole of the research. From each of them, a sample is presented in the link Artistic Work: 21 Series on this web page.

21 Series The Concept of Plastic Division, 1978-2018

Series 01 – Saturation of the primary color and its abstract spatiality.

Series 02 – Abstract spatiality. Sensory aspects of color and matter.

Series 03 – Construction of the interior space and analysis of its interrelation with outer space.

Series 04 – Occupation of outdoor spaces during certain times.

Series 05 – Psychoanalytical meanings.

Series 06 – Potential Image or Pure Tridimensionality.

Series 07 – Of the Limits and their Products. The forge of the Soul

Series 08 – From measure to emotion.

Series 09 – Women’s Emotional Release or Takeoff.

Series 10a-Belonging Difference and Pure Energy.

Series 10b-Atomization of the plane. Points.

Series 11a- The limits between two points.

Series 11b-Mind, heart and brain.

Series 12 – Transparencies

Series 13 – The world of forms

Series 14 – The flowers of evil or Emptying the content of the mind

Series 15 – Transcendence of the Ego

Series 16 – The one that I am too. The Forest of Arantzazu.

Series 17 – The point, in its quality of negative and positive, only essential formal plastic element, for the construction of the image.

Series 18 – Rejoicing of the Being. Transmutation of the absorption of the feminine lack. Ser-feminine- unified and mature for their participation in cultural-political-social decisions.

Series 19 – Burt Dolls-Burned Dolls. 2007-2009

Series 20 – The Transmutation of the Mind. The Capacity to Visualize Totality. 2010-2014 COINCIDIR TITULOS

Series 21 – Series 21 Structure of Creation. Identification and visualization of the dimensions of the abuse of power, violence and historical cruelty manifested by the human permissibility to the patriarchal macho system. 2014-2018 COINCIDIR TITULOS,IMAGENES Y STATEMENTS ESPAOL E INGLES.

Choice of attitude. My artistic evolutionary contribution.

Although there are many artists that have interested me and with whom I have been identifying in different phases of my own plastic research: Giotto, Velázquez, Cezanne, Van Gogh, Matisse, Picasso, Rothko, Pollock, all the Abstract Expressionism-American and European- Malevitch, Mondrian, Oteiza, Sol Lewit, Carl Andre, Yayoi Kusama, Lee Bontecou, ​​were Piet Mondrian and Jorge Oteiza, with whom I felt most directly and specifically identified when making the decision as to what my attitude would be with art; what its functionality: The knowledge of reality. Years later, having moved to New York, I would include my identification with Jean Michel Basquiat in the sense of the immediacy of connection between his person and his artistic expression, the honesty and generosity of his painting and with Louise Bourgeois, with whom I had occasion Interview me and teach him my work, for the identification with its specific gender theme.

Very soon, by the 78, in second career, after the necessary learning of techniques and methods of representation and prior a thorough analytical study of the need, meaning and functionality of art, I decided that I wanted to use art as a tool of knowledge. Knowledge of what ?. Of the Reality, I answered myself. And the truth was that from the beginning, in the practice of the representation of nature, with drawing, painting and sculpture, the perception of visible things became more accurate, more real. I taught my eyes to look, to immediately take a position in the art of using it scientifically. From the painting, I felt Mondrian conceptually the closest to my intentions and needs:

“Expressive seeing is not limited to art: it deeply examines all the manifestations of life: thus the general unity of life becomes possible. Seeing purely expressive leads us to understand the structure that underlies what exists: it makes the pure relationship look … “(1)

In the generation of Basque artists to whom I belong, we had the direct contact with the work and the person of Oteiza, and as far as my work is concerned, its influence was the other fundamental pillar of identification. From the sculpture, Jorge Oteiza developed a conscious attitude of the interrelation of art with life. Art as a metalanguage, he said, contributing all his theory of unemployment of form: the concept of Oteizian Void..?

“The artist has thus in deposit (not always) a task of human and social urgency to fulfill: to transform the incomplete and fearful, vacillating vision of a man not yet installed in his cultural time … (or

of a woman, I add) Art is a laboratory, the style of laboratory that is artistic, it concludes in the laboratory and if not, it does not happen to life … “(2)

I must say that very soon, and after a deep theoretical analysis of the functionality of art, studying psychologically and socially the attitude that underlay each one of the historical epochs of art and dominating to

then the representation of the natural one with the disciplines of the drawing, the painting and the sculpture in mud, I decided that I would use the art scientifically, like a method of analysis of the reality. About what Reality? Of the reality of women in society, I said to myself, in those decades, 70-80.

They supported my hypothesis, the words of Jorge Oteiza:

“I’m very interested in research, but research has to give results to man. Today art is not in museums. Art has to be in man. Art is not for museums, it is for man, inside man. Man is the pastor of the Being. What is the artist? The artist is hunter of the Being. What is Art? Art, in Euskera, in Basque, is a trap. The artist is cheating: cheating, cheating for what? in prehistory, to hunt the animal for physical sustenance, but also to hunt God, or also to hunt protections, hunting the instinctive Being. (3)

In the beginning of my own investigation with art, I understood that Nature felt the need to divide into feminine and masculine, but the Spirit, the Being, needs to feel whole, unified and his needs are broader and globalizing than the natural calls; which are only a part of the Being.

I assumed that for reasons of survival of the human species, women were forced to renounce our spirit – our Unified global Self – with the intention that we care for the species, be mothers, nurses, caregivers in general of life, and this must have confused in the perception of femininity, relating it only to the fact of being mothers, that is, being only nature. Our being, I am totally castrated, bent only to a function, very important for the continuity of the species, of incalculable human value, disinterested like no other, it is clear. but the castration price of the Being was so dramatic that its consequences would appear later or earlier. The reality, he found out, is that the concept of femininity has a much wider radiation than the part used by nature.

On the other hand, the generation of women to whom I have the pride of belonging, we had, wanted, in a few decades to make such a huge transmutation of our concept of Feminine Identity, which, in order to develop long-repressed and punished potentials, without We had to renounce ourselves, that is, to remain women and also mothers, if we chose, we had to undress from layers of history sealed in each of our cells of physical matter, electrified in each nervous and camouflaged. and inverted between the folds and corners of our mind and brain.

My enormous inner need, plus the direct inspiration of the work of the artists Oteiza and Mondrian, fundamental in the beginning, but Basquiat and Bourgeois according to my research was advancing, forced me to enter the social analysis that will help me understand why the women were so socially devalued, why feminine values ​​were so discredited and why the physical and moral violence we suffered was justified or minimized, sexual abuse in the street, at work, at home. And what about professional discrimination?

The natural aspiration to a position of political power, for example, was something that could destroy the mind of any woman, not so many years ago. However today, we are many people, women and men, to whomwe would like to deconstruct the heroism with which the violence of wars is worn.

Mondrian: “Seeing internalized, expressive, is the content of the new consciousness of time, and must be revealed more and more, as the consciousness in the human being grows and with this, automatically, eliminates all obstacles, such as tradition, etc. 4)

Decision of the Method

The experimental plastic psychoanalytic method that I decided to use, was structured in six fundamental blocks as I worked on the concepts and functions. It was finally structured in this way:

For the Formal plastic analysis: sections A, B, C.

For the Psychoanalytic, (Organic and Energetic) analysis: sections D, E, F

A) Analysis of each and every one of the formal elements that make up the plastic image.

“The purified feminine element itself is now the internalized feminine element, but it remains feminine, that is, it never becomes-over time-the masculine element. Only the outermost has been removed, or, rather, the outer feminine has crystallized into a purer femininity “(5)

The denial first and later the aggression and lack of social respect towards the feminine artistic intellectual values ​​had impregnated my genes already before being born, reason why to integrate in my own being my condition of woman, mother and artist, was only possible through of an exhaustive historical analysis, and of even a more exhaustive and painful personal Freudian psychoanalysis, (totally illuminating and therapeutic) that takes parallels and interrelated with my work of practical artistic research, painting.

This struggle to be and occupy the professional, artistic and social positions that I felt deserved given my artistic qualities, led me to use my talent precisely as a tool for analysis and knowledge of reality. Reality that, being known, I could handle with more dexterity and less suffering, I thought.

Being aware of the concept of saturation of each of the primary colors, the lesson learned in the process of artistic research, was the positioning of pure perspective.

I understood early on that, to know who I really was, I had to become independent of the cultural content I received, that I conveniently preferred to continue seeing myself only from an otherwise totally devalued concept of being a woman and a mother. I had therefore to become independent from and in all the fundamental aspects of the human being: emotional, mental and spiritual.

We would say that the first big package of plastic consciousness in which I had to investigate was formal: the conscious assumption of the concepts of saturation, measurement, composition, study and definition of the limits, construction of pure three-dimensionality, multidimensionality, etc., up to the conception and conceptualization of “The point, in its quality of positive and negative, as the only formal plastic element necessary for the construction of the plastic image”.

Series and titles thereof, which belong to this part of the

Formal A) process for the:

Female Emotional Liberation

1- Saturation of the primary color and its abstract spatiality.

2- Abstract spatiality Sensory aspects of color and matter.

3- Construction of the interior space and analysis of its interrelation with the Exterior.

4- Occupation of outdoor spaces during certain times.

5- Psychoanalytic Meanings

6- Potential Image or Pure Tridimensionality

7- Of the Limits and their Products. The forge of the Soul

8- From measure to emotion

9- Takeoff or Liberation n Emotional Feminine

B) Perpendicular divisions (horizontal cuts, and vertical cuts) in the vertical straight planes yellow, red and blue and their mobile dynamic visual interrelation. The vision of the indivisibility of the POINT.

I moved to New York and the work proposal that traveled with me was: “atomize the plans” with which he had built all the previous work. The multidimensionality achieved in the work 8color.pcx made with computers, a methodology that had been incorporated into my research process in the mid-1980s, was not out of my mind. This image was published in the catalog of the exhibition that was closed only a few days before. to my trip, in the Sala Rekalde, in Bilbao.

Installed in the Brooklyn studio, I started the series: Belonging, Awareness of Difference and Pure Energy. And the title that encompassed these three series: Expressions from the Unification.

I also wanted to go back to “painting” with my own hand, those points of pure yellow, red and blue, constructing images that I let flow from an attitude of total takeoff of any intention. You could say that they were made from the unfolding of meditation.

Expressions from the Unification can be considered, on the one hand, continuation of the previous one (A) that is, but it is made from another plane in which they have already been formally assimilated and from which he intended to créate images that express complete identities in themselves, by the assimilation of the concepts of:

– Belonging

– Consciousness of the Difference

– Pure Plastic Energy

My hypothesis in this point of the investigation was that, from the Unification, it might be possible to enter, to understand, the very Structure of Creation.

The translation of this concept to the human plane, its parallelism, would be the consideration of each person as Own Identity, belonging to the Creation or Reality, enabled by his Spiritual sameness in the action manifested in the Human Physical plane. That is to say, the first and last division was surpassed, realizing the UNIFICATION of the Spiritual and Human planes.

Series that belong to the

Formal B) process for the:

Female Mental Liberation

10a- Belonging, Difference and Pure Energy.

10b- Atomization of the plane. Points.

C) Analysis of the boundaries between two points: Encounters with the Heart, the Mind and the Brain.

Formally, I had understood that a Dot of color, was the projection of the Light, with Own Identity, in any place and instant of the multidimensionality of Reality. And now I wanted to experience what It happened, what was there, in the interaction of Two dots chosen at random from the multidimensionality of Reality.

The 11ªth Series It was very extensive, but finally I chose from it three results with which I titled the following three series: Mind, Heart and Brain.

 Series that belong to the

Formal C) process for the:

Female Mental Liberation

11a- The limits between two points

11b- Mind, heart and brain

D) Use of the contents obtained during the formal analysis of the Plastic Method for the internal perceptual analysis of the personal experience: The deconstruction of the contents of value, established by the unilateral masculine power in the horizontal -view-mind- emptying the content of the same, to acquire my own look. Decoding, of the male structure of looking.

For many years, as an artist I felt very identified with the contributions of Mondrian and I think it is noble on my part, to acknowledge my appreciation for his artistic and intellectual contributions. But, paradoxically, at the same time that admiration for his work has served as a starting point or platform for the development of my own plastic research, in order to be honest and consistent with the generation that I have lived as an artist, I needed to give the jump, evolve my own work to place myself in a higher evolutionary plane, plastically speaking, so, with the study of limits on the one hand and on the other, with the valuation of the measure, to create the pure three-dimensionality, for what I was obliged to deconstruct its grandiose by contribution: from the Orthogonal Relationship, vertical horizontal, atomizing the planes, to reach the indivisibility of the Dot, formal limit reference, which forced me to enter the analysis of perception with psychoanalytic methodology through the 3 dimensions or organic planes: Mind, Heart and Brain.

Let’s say that my work in art, in the middle of its global process, was to go a few steps later than Mondrian in the analysis plastic formal, coming to conceive and conceptualize that “The Dot was the only essential formal plastic element builder of the image”

At the Formal level, the discovery and assimilation of this innovative plastic concept, as well as the others already mentioned in this Artistic Statement, gratifies and deeply prides me, but what I consider to be of most value in my artistic contribution, is the permanent interrelation of the elements formal plastics, with the psychological world, (emotional and mental), and with the human spiritual dimension. I want to say that, even though it brings a very innovative formal artistic evolution, what is really important is that I apply it scientifically in human experimentation itself.

Formally I come to the conclusion that it is the Dot, in its double condition of positive and negative, the only formal element essential for the construction of the image, and Perceptually, it is the individual human Spirit the only vital energy element, necessary for the construction and justification of a life. I am talking about Identity and the Dignity of Being, in itself.

The formal method of my work has been the deconstruction and division of the vertical and the horizontal plastic, for the encounter with the point as the only element totally necessary for the construction of the plastic image, but the human result is the encounter, the finding , the awareness of the concept of plastic division, the plastic duality, as a structure of power for the elimination and absorption of identities, which also has – as the point – its positive condition: survival, and its negative condition: loss temporary identity.

As soon as I could enjoy an emptied mind, leaving its content in painted images, the total structure of my Being was finding its position and structure correct and coherent to the Feminine Identity itself, being able to accept without conflict or fault my intellectual-artistic-spiritual capacities with those received and, proudly accepted and always grateful, besides enjoyed, of nature: the maternity chosen, not imposed, much less conditioned to the castration of the rest of the Being female.

Series that belong to the

Psychoanalytic D) process for the:

Female Mental Liberation

12- Transparencies

13- The world of forms

14- The flowers of evil or Emptying the content of the mind

E) With a female own look, I proceed to the elimination of the structures of psychological duality of the central nervous system, or vertical. In its development, I find myself with the archetype of the Great Mother – original division -, that of the Divine Girl or Female Goddess and with the archetype of the assassin or Absorption of the lack, as a protective defense of the Being.

The defense of femininity is usually to think that it implies internal renunciations; losses, because being female means not being able to compete with the strength and masculine power, which, in its negative manifestation, has generated and generates violence, in many cases and houses. In my case, and I suppose that in the case of many women, with a broken heart, in order not to destroy my mind, I preferred to fall into a neurosis and I identified with the aggressor to get strength and become the superpower – The Great Mother – and on the other, absorb all the pain and guilt of the victim, with the consequent taking of female human social responsibility, which is what has passionately motivated all this work of mine, artistic yes, but also, philosophical, scientific, and social.

With the ability to look at us with decoded eyes, women can find out the moments that filled us with fear, associating with the aggressor and absorbing their guilt, that is, protecting the aggressor from femininity, which, although being of masculine origin , it is presented through both women and men, In fact, the social archetypes, we receive them through our own mothers and fathers, and then simply repeat them, passively or actively. The plague of aggression against femininity we all have internalized in our divided being.

Series that belong to the

Psychoanalytic E) process for the:

Female Spiritual Liberation

15- Transcendence of the Ego

16- The one that I am too. The Forest of Arantzazu.

17- The point, in its quality of negative and positive, only plastic element formal essential, for the construction of the image.

18- Rejoicing of the Being. Transmutation of the absorption of the feminine lack. Ser-feminine- unified and mature for their participation in the cultural-political-social decisions.

F) Final result of the process of the experimental investigation of the Method: The restitution of the Organic System and the Energy System, alignment and conjunction of vertical and horizontal axes, in a single point. Direct and spontaneous connection, without any type of resignations; unified heart, mind, brain and spirit.

Analogous to the overcoming of the concept of perpendicular interrelation of Mondrian, through my theory of the point, with my contribution of the concept of plastic division, I add, not only as far as the feminine is concerned, a plastic theory that goes beyond the temporality of the vacuum, to achieve totally integrating results in the Unification of Being, being this – my theory of the plastic division – even more fundamental or primary than the concept of Oteiza’s emptiness, since not only is it recovered – knowing it and emptying it – the unconscious, but the social archetypes – inherited collective unconscious – are identified and recognized, which releases, releases, these limited constraints and immediately the Unification of Being emerges – the divisions of race, religion, culture, gender, etc. are overcome.

As I stated at the beginning of this presentation of my work, both Oteiza and Mondrian have been my fundamental teachers for the beginning and starting point; but being mine a scientific artistic dedication, totally committed to the social, it is also my task to provide plastic evolutions adjusted to the current generation, and having had myself to experiment and investigate the concept of Oteizian Void, at least with respect to to more than half of humans, the female gender, we must also decode the look, emancipate ourselves from the gender division and be fully integrated beings, both internally and socially. Build integral and integrated individuality and collectivity.

With the theory of the plastic division – decoded the look and identified the acquired social archetypes, we recover all our knowledge and all our authority and responsibility in the decisions to be taken regarding to the world in which we all live.

And here, to close this writing, I would like to quote Krishnamurti, whose readings have accompanied and helped me a lot in the 2000-10 decade.

“Being Unified, you do not need to” think “to know what you need. Neither need to “want” to know what is good for him. Simply, live, follow your instinct and your intuition fundamentally, because it is connected to rest of the living forces of nature. ”

Series that belong to the

Psychoanalytic F) process for the:

Recovery of the Authority and Female Own Valuation. The Incorporation of the Totality of the Values ​​of the Femininity for the State of Gender Equality. Demand for Universal Historical Justice for Women.

 Series 19 – Burt Dolls-Burned Dolls. 2007-2009

Series 20 – The Transmutation of the Mind. The ability to Visualize Totality. 2010-2014 COINCIDIR TITULOS.

Series 21 – Series 21 Structure of Creation. Identification and visualization of the dimensions of the abuse of power, violence and historical cruelty manifested, by the human permissibility to the patriarchal macho system. 2014-2018

COINCIDIR TITULOS

(1) Quousque Tandem. Jorge Oteiza. Azkue Collection.

(2) Plastic art and pure plastic art. Piet Mondrian Edit. Victor Leru SRL.

(3) Oteiza Jorgeri Littera & Musika / 1

(4) Plastic art and pure plastic art. Piet Mondrian Edit. Victor Leru SRL.

(5) Plastic art and pure plastic art. Piet Mondrian Edit. Victor Leru SRL.

Note: Statement updated in August 2018, from the original published in the catalog of the exhibition The Unified Femininity, for the exhibition of the same name in the BBK Foundation, Bilbao 2006

Inés Medina

Bilbao 08/2018